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Ammi Young : ウィキペディア英語版
Ammi B. Young

Ammi Burnham Young (June 19, 1798 – March 14, 1874)
* was a 19th-century American architect whose commissions transitioned from the Greek Revival to the Neo-Renaissance styles. His design of the second Vermont State House brought him fame and success, which eventually led him to become the first Supervising Architect of the U.S. Treasury Department. As federal architect, he was responsible for creating across the United States numerous custom houses, post offices, courthouses and hospitals, many of which are today on the National Register. His traditional architectural forms lent a sense of grandeur and permanence to the new country's institutions and communities. Young pioneered the use of iron in construction.
*According to his cemetery information his birth date is June 19, 1799 and his death date is March 13, 1874.
==Early life and works==
Born in Lebanon, New Hampshire, Ammi B. Young was the son of Rebecca Burnham and Samuel Young, a builder-designer of churches, courthouses and academy buildings in the Lebanon area. He showed a talent for mathematics and drawing, and at the age of 14, began work in his father's trade. In 1823, Young married his first wife, Mary Hough of Lebanon. Like many aspiring builder-designers of the day, he learned the classical orders from pattern books by New England architect Asher Benjamin. Indeed, his design for the Federal style First Congregational Church, built in Lebanon in 1828, borrows significantly from ''Plate K'' of ''The American Builder's Companion''. Early commissions included dormitories at nearby Dartmouth College, where his brother, Ira Young, was Professor of Natural Philosophy. But the novice architect also learned from working in the Boston office of Alexander Parris, whose characteristic work in granite influenced Young's subsequent governmental commissions.
In 1830, Young opened his own office in Burlington, Vermont, a trade center growing fast since the 1823 opening of the Champlain Canal which connected Lake Champlain with the Hudson River and New York City. Here he designed the 1832 St. Paul's Church in the Gothic Revival style. His first monumental work was the Second Vermont State House, a cruciform Greek Revival structure built between 1833 and 1838, which combined a Doric portico modeled on the Temple of Theseus in Athens, with a low saucer dome inspired by the Pantheon in Rome. The building's granite blocks were hauled to Montpelier on the frozen Winooski River from quarries at Barre. But a fire in 1857 destroyed much of the building, except for the portico and some of the walls. With considerable respect for Young's original design, the Vermont State House was rebuilt, although now with wings extended by a bay, and a cupola crowning the roof – the plan of Thomas Silloway, trained in Young's office from 1847 until 1851. The result was considered by architect Stanford White the finest example of the Greek Revival style in the country.
Entering the 1837 competition to design the Boston Custom House, Young submitted another cruciform scheme combining a Greek Doric portico with a Roman dome. Planned on a large scale at what was then the waterfront, the building reflected the strength and confidence of the young, growing nation. It won, defeating several other entries, including one by Asher Benjamin. Young was appointed supervisor of construction, which took from 1837 until 1847. In 1838, he established a Boston drafting room. The building's 32 columns were each carved from a single piece from Quincy granite. They measured 5 foot 4 inches in diameter, stood 32 feet high, and weighed 42 tons. Purists decried the Roman dome on a Greek form. Far less sympathetic to the building's Greek form, however, would be the soaring Custom House Tower which replaced the dome from 1913 to 1915. Boston's first skyscraper, it was designed by Peabody & Stearns to add both office space and presence to a building obscured by later others.

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